The best DAW (music production software) in 2018. Full capabilities of a recording studio in just a music production software. The market is mostly dominated by 5 of the best DAW software. Review of the best music recording software for 2018 for your DAW home recording studio! The top music recording software reviewed by the staff of JR Mastering.
There are quite a few different audio editing programs that will work to edit podcasts, but we’re just going to focus on the best podcast recording and editing programs.
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That just means they’re either easier to use or focus more on spoken audio editing versus music production.
Most software for podcast editing works on both macOS and Windows, but there are a couple that are Apple only because they created the software.
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Contents
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- Podcast Recording Software For macOS
- Podcast Recording Software For Windows & macOS
- Helpful Podcast Software
Podcast Recording Software For macOS
GarageBand
GarageBand is a free DAW (digital audio workstation) if you have a Mac. This is a great choice for first-time and even experienced podcasters.
You can easily create separate tracks for music, intros and outros, ad spots, and more. Then you can fade them in and out as needed, move them around, adjust levels, you name it.
For each track, you can enable various plug-ins like compression, noise gates, EQ, and more. For many people, this will do more than enough.
Logic Pro
Logic Pro is a full-featured music production and audio editing program.
The main reason I recommend it for podcasters is because the interface matches GarageBand and it’s very easy to upgrade. Even your GarageBand files will open seamlessly in Logic.
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You also will have to enable Advanced Tools (it’s just a simple checkbox in the settings) to get the full suite of features. This lets you upgrade without getting overwhelmed.
The ability to link to the Logic Remote App for iPhone or iPad is really cool as well.
The cost for Logic Pro is a one-time purchase of $200.
Podcast Recording Software For Windows & macOS
Adobe Audition
Adobe Audition started out as Cool Edit Pro but was acquired by Adobe back in 2003. It is part of the Creative Cloud suite, so if you already have a subscription to the full suite, you have access. You can also get it for $20/month separately.
It is designed for podcast production and editing and has advanced tools just for that. There are a number of noise-reduction capabilities, advanced compression and EQ, and a ton more.
One feature I love is batch processing, where you can apply various effects to one file, save it, then apply those same effects to a “batch” of other files. This saves a ton of time.
I highly recommend Audition for podcasting – and there are a ton of easy-to-follow tutorials online to help you get started.
You can get a 1-year subscription from Amazon here (this is also the only way to purchase it as a gift) or click the button below to sign up directly through Adobe:
P.S. You can also get the full Creative Cloud Suite on Amazon here.
Audacity
Audacity is a free cross-platform audio editor. It’s commonly used for podcasting and has powerful features. One of the downsides is that it can be confusing to use when first getting started, but once you get the hang of it, it’s great.
Some of the useful Audacity features include Sync-Lock, Truncate Silence, Silence Finder, and Silence. But there are a ton more including saveable EQ, fading, import and export options, and editing and saving chains of effects.
It is regularly updated and should work all the latest versions of macOS and Windows.
Hindenburg Journalist
Hindenburg has several different audio editing programs, with Journalist being their entry-level offering for $95.
It is designed for radio broadcasters and podcasters with a higher production value. If you have a bunch of different clips or interviews that you need to piece together, this might be a great choice.
There is automated levels, loudness, EQ, and a unique clipboard feature for staying organized. It also integrates with certain podcast hosting providers.
Take a look at this 2-minute intro video:
Watch this video on YouTube
There is also Hindenburg Pro that has a built in Skype call recorder, among other upgrades.
Other Audio Editing Software
While the recording and editing software options above are where I would start, there are many more options that will work.
Certain Mackie and Behringer mixers come with tracktion, PreSonus audio interfaces come with StudioOne 3 Artist, Steinberg interfaces come with Cubase AI & LE, and I’m sure there are other similar combos.
If you have one of these, they will work just fine for podcast production, although there might be a higher learning curve.
Helpful Podcast Software
There are few other pieces of software that you may want or need to go with your new podcast recording software. Here are a few of my favorites:
Buzzsprout
After you record and edit your podcast episode, you need a place to put it so you can make it an official podcast.
My favorite podcast host is Buzzsprout because they have a really easy to use platform, plus some additional sharing features that look great and save a ton of time.
When you follow this link, Buzzsprout will give you a $20 Amazon gift card after you pay for your plan. Check it out!
Ecamm Call Recorder For Skype
If you want to record skype calls, there are a few different add-ons you can get depending on your operating system:
Ecamm Call Recorder is the best option for Mac.
Pamela is a popular choice for Windows.
Alitu
Alitu is perfect for those that want to make your podcasting process as easy as possible.
It will automatically improve your audio files, lets you add intros and outros, and you can automatically publish to Buzzsprout, Podbean, Blubrry, Libsyn, and more!
It works great whether you want to edit or not – check out this quick walkthrough:
Auphonic
Auphonic is a magic piece of software that does a ton. It will level your audio, make it the correct volume for podcasting, add ID3 tags, export to YouTube, and a ton more. I love that you can create presets, making it super fast to use after you get it set up.
Music Radio Creative
Music Radio Creative is an amazing website that creates intros, outros, jingles, and more. You can easily preview different voices and you will get extremely high-quality voice-overs to make your podcast sound much more professional.
Start at the Podcast section here.
Scribie
Another important piece of your podcasting workflow is to get transcriptions. This can help with SEO, but also gives people a way to enjoy your show in places where they can’t listen.
I highly recommend Scribie – they’re fast, have multiple versions of English (US, UK, etc.), and everything is easily accomplished from their web-based dashboard. They’re reasonably priced at $0.75 / minute.
Ringr
Ringr is a paid option when you’re ready to graduate from lower-quality Skype calls. It records both ends of the conversation locally, so you don’t have to worry about losing an important interview.
Check out more remote interview recording options here.
What do you use? Am I missing your favorite?
So you’re looking to solidify your home recording studio with the best audio interface? To us, this is one of the most important parts of making music and we consider it to be the star on top of the Christmas tree. Without an audio interface, you simply can’t record optimally. Your gear is essentially missing half of its power and capabilities without one of these in your studio. The best audio interfaces help us with sound quality, phantom power and amplification, more overall control of our gear, organization of all of our inputsoutputs into one device, and lastly make the pesky concept of latency disappear. Today we highlight our top 10 audio interface picks available in the market and give you some info to help ease your shopping adventures.
What is an audio interface?
An audio interface is a device which connects your various audio equipment to your computer (microphones, MIDI keyboards, studio monitor speakers, etc). Some have even called them “external sound cards” since the components built into computers can’t make the cut (for good reason — they’re typically too expensive or aren’t big enough). In terms of capabilities (and it really depends on which model you go with), they can provide phantom power to amplify your microphones, hook up any instrument or controller you’ve got via MIDI inout, and use XLR ports for microphones. Audio interfaces convert the analog information into digital signals for your production computer or music laptop to recognize and lay down into your songs.
Ultimately, it helps get you that studio-quality sound that helps separate you from the newbies. Relying on consumer-grade sound cards in your PC or Mac isn’t ideal as it often gives us interference and delays in sounds — and to their credit, merely can’t fit powerful interfaces inside their computers. Audio interfaces are the standard sound card for any type of studio. Once I hooked up my audio interface to my setup, the headache immediately went away because I was not only more organized (rid a lot of cable clutter) but was able to record in a quicker, versatile and realistic manner. When producing music, my workload decreased, my songs sounded better and my overall creativity shot through the roof since my process was more efficient. Lastly and most importantly, the quality of my recording tracks increased dramatically – microphones were more clear, guitars crisp, and the overall sound I heard was better for mixing and mastering later on in my DAW.
How to choose your audio interface
When it comes to the best audio interface, it really depends on a few factors. We’d love to give you a straight answer, but it is too dependent on a lot of elements you must take into consideration when shopping for the device. It depends on what you need.
- What is your budget? Most of these are relatively affordable, but you can always go higher for some powerful features. We’ve seen audio interfaces go within price ranges from $30 to $2,000. We tried to grab a few from each price-point to give you options in your search.
- What type of connectivity? You can either go the more popular USB route, FireWire or even advanced Thunderbolt. The more advanced you go away from USB, typically the more money you’ll have to drop; however, it may be worth the investment if you have the cash.
- How many inputs and outputs will you need? This is something to really take into consideration not only for now but the future as well. A lot of musicians who record multiple instruments at once such as with a band need numerous inputs and outputs to handle all of the equipment. Of course in my position, i’m a one-man band, so i’m fine with fewer ins since I record everything separately. Do you need a few microphone inputs? Additional USB ports? MIDI connectivity? Try to look at the gear around you and plan what you envision hooking up to your audio interface. If you do plan on buying more gear in the future, buy an interface you can foresee needing a few extra connections for your future studio.
- Is there a software bundle you need? Some of these come with virtual instruments, effects, and even digital audio workstations. Is that important to you?
For some more info, check out the choosing your audio interface article by Sound On Sound magazine.
Our picks for top 10 best audio interfaces
The following is our list of top 10 best audio interfaces for both Mac and PC. Do some sifting through as we provide the retail price for your budget, the compatibility in terms of connectivity, how many inputs and outputs, as well as overall features for comparing. We tried to cover all ranges, all connectivity as well as I/O options. Let us know which one you ended up going with/already have!
Focusrite Scarlett 2i2
Compatible with: Mac, PC, all hardware
- Check prices and reviews of the Scarlett 2i2: US | UK
- USB connectivity
- A/D resolution: 24-bit/96kHz
- Inputs: Two XLR/TRS combo
- Direct monitor control on front panel (switch between headphones and speakers easily)
- Comes with Ableton Live Lite and Scarlett bundle (processors, effects)
This is in our opinion one of the best audio interfaces out there by a mile. This interface by Focusrite is best for home and semi-pro studios (I have two friends who make music full-time that use this). The Scarlet 2i2 gives us a great quality microphone pre-amp, a very rugged build for stability as well as portability, and quite a few selections for ins and outs. The ‘2i2’ name basically means that it has two inputs and two outputs, as well as two pre-amps built-in (their other models you’ll see have similar names which relate to the connectivity options). Highly talked about this is the amp quality, compared to mechanisms found in a lot of condenser and ribbon mics and more expensive interfaces. It’s ultimately just a simple interface for a great cost — one of the most popular choices out there if you read the user reviews.
Another huge plus with this one is that it comes with Ableton Live Lite, a very popular digital audio workstation among music heads. This is especially perfect if you’re looking for some software to start recording with or merely want to make the change over to one of the most popular pieces of software today — Ableton coming along with the package makes this a must. USB powered here, although it doesn’t have any MID ins or outs which bums me out but there are ways around that. The Focusrite Scarlett 2i2 is the best audio interface we’ve recommended to our readers numerous times for a reason — just make sure that it will cover your future needs in terms of connectivity if you plan on expanding later.
You can also check out the Focusrite Saffire Pro interface which is a step up (has some MIDI insouts and FireWire connectivity) but costs a bit more. There’s also a ton of other Scarlett models that pertain to ins and outs as stated previously — for only a few more bucks check out their Scarlett Studio Audio Bundle (comes with a mic, headphones, and the interface and it made first in our recording studio bundles guide).
Universal Audio Apollo Twin
Compatible with: Mac only
- Check prices and reviews of the Apollo Twin: US | UK
- 24-bit/192 kHz audio conversion
- Headphone and guitar input on front
- Preamp/monitor switches
- Dedicated master volume knob
- 2 XLR/TSR mic ins
- Realtime UAD Processing
- Comes with plug-in bundle (analog classics)
- Two mic/line pre-amps
- Thunderbolt connection
Up next, we have a mac only interface and this thing is extremely powerful. It’s a 2 x 6 thunderbolt connection and the audio conversion is quite telling at 24-bit/192 kHz for some of the clearest, zero-latency sound possible right now. It’s got real-time UAD processing so the tracking with compressors, EQ’s, and amps for various instruments is the real deal. It’s only compatible with Mac but it’s one of the best out there — Universal Audio brings us quality builds that’ll last you a very long time, so this is an investment.
Here’s a cool video on the Apollo Twin interface. You’ll need a thunderbolt cable for this, but it’s worth it if you’re going the full 9 — you won’t be let down by the Universal Audio Apollo Twin if you have the cash. It’s one of the best, pretty famous and will be for quite some time.
Mackie Onyx Blackjack
Compatible with: Mac and PC
- Check prices and reviews of the Onyx Blackjack: US | UK
- Two Onyx mic pre-amps
- Amps go up to 60 dB
- High-headroom design
- USB powered
- Separate studio monitor/headphone outputs
- Comes with Tracktion 3 production software
Mackie equipment is more tailored to DJ’s, but this audio interface is very solid for the price, giving us two high-quality Onyx mic pre-amps that are very powerful. Gives us some distortion protection due to its high-headroom design. Great zero-latency recording but what stands out to us is the amp gain control: great for electric guitars and dynamic microphones. You can crank each line in (1 and 2) up to 60 dB, turn up the phantom power to max on the monitor or phones, as well as have even more controls on the front.
Standard ins and outs with two XLR and TSR. A step up from a lot of audio interfaces due to its high-quality amps. One of the best audio interfaces in the lower price-point in our opinion. We recommend the Mackie Onyx Blackjack for those who need powerful amplification at an affordable price.
M-Audio M-Track Plus
Compatible with: Mac and PC
- Check prices and reviews of the M-Track Plus: US | UK
- 24-bit / 48 kHz digital audio processor
- Very little latency when monitoring
- Solid aluminum build
- 2 XLR inputs, 2 balanced 1/4″, MIDI in and out
- Selectable phantom power
- Headphone out on front
- Comes with Pro Tools and Ignite by AIR
Here’s another one of the best audio interfaces for the money. This is a very solid model in terms of build and overall supply of necessary ins and outs, as M-Audio gear usually brings to the table. It’s USB powered and offers great phantom power for microphones and guitars, has insert jacks on each channel, and lastly comes with Avid Pro Tools Express and Ignite creation software by AIR. If you’re looking for a good software combo this is great, otherwise it’s still a solid audio interface as it offers us the essentials: 2 XLR, 2 TSR and MIDI ins/outs…what else do you need?
Unless you’re using and recording multiple instruments at a time, anything else is rather unnecessary. The M-Audio M-Track Plus is a solid audio interface for those looking for only a few ins and outs and some clear audio quality on top of it all. It’s pretty affordable and rivals the Scarlett model we previously recommended in terms of price.
Also check out our review of their M-Audio M-Track QUAD audio interface for a step up if you have a few more bucks to spare.
PreSonus AudioBox
Compatible with: PC and Mac
- Check prices and reviews of the Audiobox: US | UK
- Rugged steel build
- Combo XLR mic/balanced 1/4″ input
- 48 volts of phantom power
- 24-bit resolution and 44.1, 48, 88.2, and 96 kHz sampling rate
- MIDI inout
- USB 2.0 port
- Comes with Studio One software
Another 2 x 2 to check out here, and this one is a more simple and budget-friendly audio interface than many others. PreSonus gear has a very positive reputation around the equipment world and the AudioBox is a favorite interface among many. You get two very high quality pre-amps built-in, a nice small steel build, as well as two MIDI int/outs on the front. The back has your TSR ins, a USB port for power and connectivity as well as a left and right stereo inputs. Lastly, a headphone jack (on the back) although I usually like these on the front, but oh well. As it’s more budget-friendly, it isn’t recommended for those with instruments that need more than around 35 decibel of gain or headphones above 100 in impedance. Keep this in mind as the power is great for a lower price-point audio interface but it isn’t jam-packed either.
This is great for those on a budget and need the standard capabilities of an interface, and even though it doesn’t have any fancy digital conversion (like the Apollo Twin), you’re getting what you pay for. The PreSonus AudioBox is considered to be another one of the best audio interface picks if you wanted a simple solution and also need some software alongside your setup (it comes with their Studio One digital audio workstation which isn’t necessarily a heavy-hitter in the software community, but can get the job done if you need something simple and don’t have a DAW yet).
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Check out our reviews on their latest models, the AudioBox iOne and AudioBox iTwo if you’re looking for some different alternatives.
Apogee ONE
Compatible with: Mac only (and iPad)
- Check prices and reviews of the ONE: US | UK
- A/D and D/A conversion: 44.1/48 kHz 24-bit
- Single input channel
- Internal condenser microphone
- XLR microphone pre-amp
- Encoder knob (gain control, output level control)
- Maestro software included
Apogee electronics brings us one of the best audio interfaces for Mac. It’s rather simplistic in terms of connectivity, but the reason it’s at such a high cost is because of the amp. It goes up to 63 dB which is pretty high for its size. Another plus is the 48 volt phantom power but it also has a built-in condenser microphone if you think you’ll be using it for that. You can merely mount it and use it as a mic while having an audio interface at hand at the same time. It doesn’t have any MIDI ins or outs or even XLR ports but it does give us a 1/8″ for headphones. What most people do is use a converter cable which can be plugged in to an external microphone, MIDI keyboard or controller, etc.
Check this one out as it gives us a bit of a different spin to audio interfaces. Don’t let the small size of the Apogee ONE make you assume it isn’t powerful — it’ll up the quality of your music like no other (if you’re on Mac, that is).
Although it’s two times the price, also check out the Apogee Duet audio interface for some power if you’ve got the dough. We review their new Avid Pro Tools Duet by Apogee as well, which is a new interface out that’s been paired up by both companies for a new spin on the interface.
Avid MBox + Pro Tools Express
Compatible with: Mainly built for Mac, but can with Windows 10
- Check prices and reviews of the Mbox: US | UK
- Two XLR mic/line combo inputs
- Two 1/4″ DI inputs
- Stereo S/P/DIF digital in and out
- MIDI in and out (1×1)
- Monitor control
- Dedicated volume knob
- Built-in guitar tuner
- Comes with Pro Tools Express
If you want Pro Tools and one of the biggest industry standards out there, we recommend going with this. Avid‘s bundle is a bit more expensive than the budget-friendly audio interfaces we’ve listed thus far but it’s very worth your money if you’re interested in investing in a DAW software that many call it the best — the golden Pro Tools (Express is not the full version, keep in mind). The Mbox is a very solid interface not just because it is Pro Tools’ sidekick — it comes with 4 x 4 channels of ins and outs (two XLR mic/line combos, two 1/4″ inputs and outputs, as well as a headphone out and MIDI ins/outs).
You have phantom power of the standard 48 volts for your condenser microphone, has a nice soft-clip limiter and if you play the guitar, it’s got a built-in tuner with some on-board effects. A nice package if you’re looking for a big punch. The Avid Mbox is great for semi-pro and even some professional studios.
Lexicon Alpha
Compatible with: Mac and PC
- Check prices and reviews of the Alpha: US | UK
- 44.1kHz to 48kHz sample rates
- Record up to two tracks at once
- Inputs: One (1) XLR, Two (2) TRS, One (1) Hi-Z
- Two TRS & RCA outs
- USB powered
- Headphone output on back
- Low-noise mic pre-amp
- Comes with Cuba LE4 and their Pantheon reverb VST
Sleek and stable. This interface by Lexicon Pro has a lot of positive reviews and for good reason. At a super low retail price, it’s got one XLR mic, two TRS and one Hi-Z input. The only thing we’re missing here is the lack of phantom power as well as MIDI in and out, but if you don’t need these the price of this is a steal, especially for the audio quality for under $100. What’s highlighted with this is the low latency giving you no delays with recording, pretty much the benchmark of an interface so if that wasn’t possible we wouldn’t even list it here. This is basically a solid audio interface for recording instruments that don’t need phantom power as well as hooking up some studio monitors to your rig.
The Lexicon Alpha is perfect if you’re OK with switching cables to different equipment when recording, such as between a guitar and a keyboard. There is also some pretty decent software included as well with Cubase LE 4 and their Lexicon Pantheon VST reverb plug-in.
Native Instruments Komplete Audio 6
Compatible with: Windows and Mac
- Check prices and reviews of Komplete: US | UK
- 24-bit/96 kHz processor
- MIDI in and out
- 2 balanced mic/line/instrument XLR
- 2 balanced line 1/4″ TRS
- 4 balanced analog outputs 1/4″ TRS
- Two mic inputs headphone output
- 48 volts of phantom power
- Direct monitoring with mono input switch
- LED status lights
- USB powered
We’re huge fans of Native Instruments equipment and software, and this is a competitor to the Avid bundle we’ve listed previously. They were a top pick in our best VST plug-in guide for a reason. The Komplete Audio package here is very powerful, not only due to the solid build that will help with longevity but because of the software that it comes with — Cubase LE 6 (a solid DAW), Traktor LE 2 and Komplete Elements, giving you over 1k VST’s and effects. As far as connectivity goes, you’ve got some decent plugs — 2 balanced XLR’s, 2 balanced 1/4″ TRS, four balanced outputs, a MIDI in/out, and it’s USB powered for hassle-free hook ups with a dedicated volume knob up to for convenience.
This is an all around great package to look at if you’ve got the dough, especially if you’re looking to add some instruments and effects to your arsenal as well. The sound quality is very clear and reliable in terms of latency reduction. The Native Instruments Komplete Audio 6 is little cheaper than Avid’s bundle but you get Cubase instead of Pro Tools.
Behringer UCA202
Compatible with: Mac and PC
- Check prices and reviews of the UCA202: US | UK
- High-resolution 48 kHz conversion
- No drivers necessary — USB powered and connectivity
- Stereo headphone output
- Free editing software (nothing crazy) – KRISTAL Audio Engine and Audacity
Behringer audio equipment gives us the definition of a budget audio interface here. This is straight to the point and it’s powered via USB with no external power supply needed, great for portability. The resolution goes up to 48 kHz so in terms of conversion it is solid for the price. There’s just no XLR or TRS inputs here, so connecting a microphone might get tough — standard RCA ins (which can be converted with proper cables) while giving us a headphone jack and volume control. It also comes with a bundle of free software worth checking out.
I’d recommend grabbing this you’re on the go and need a simple digital converter, otherwise continue reading on. The Behringer UCA202 is a great model for those who want only the essentials at a very affordable price. We’d consider it the best cheap and budget-friendly audio interface in the market today.
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